Gothic Poems to Love & Liberty
A hauntingly beautiful collection of poetry that explores love, freedom, and the shadows of the soul.
A hauntingly beautiful collection of poetry that explores love, freedom, and the shadows of the soul.
"The Telephone Call" by Fleur Adcock centers around a phone conversation between the speaker and the "Universal Lotteries." The choice of the definite article "the" instead of "a" before "telephone conversation" suggests that this particular conversation holds significant meaning in the poet’s life. It could have led to personal change or become a memorable moment she reflects upon. Despite its straightforwardness, the poem’s simplicity and humor engage the reader until the final twist, which leaves them eagerly anticipating the conclusion.
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copyright @classwithmason |
They asked me 'Are you sitting down?
Right? This is Universal Lotteries,'
they said. 'You've won the top prize,
the Ultra-super Global Special.
What would you do with a million pounds?
Or, actually, with more than a million—
not that it makes a lot of difference
once you're a millionaire.' And they laughed.
'Are you OK?' they asked—'Still there?
Come on, now, tell us, how does it feel?'
I said 'I just . . . I can't believe it!'
They said 'That's what they all say.
What else? Go on, tell us about it.'
I said 'I feel the top of my head
has floated off, out through the window,
revolving like a flying saucer.'
'That's unusual,' they said. 'Go on.'
I said 'I'm finding it hard to talk.
My throat's gone dry, my nose is tingling.
I think I'm going to sneeze—or cry.'
'That's right,' they said, 'don't be ashamed
of giving way to your emotions.
It isn't every day you hear
you're going to get a million pounds.
Relax, now, have a little cry;
we'll give you a moment . . .' 'Hang on!' I said.
'I haven't bought a lottery ticket
for years and years. And what did you say
the company's called?' They laughed again.
'Not to worry about a ticket.
We're Universal. We operate
a Retrospective Chances Module.
Nearly everyone's bought a ticket
in some lottery or another,
once at least. We buy up the files,
feed the names into our computer,
and see who the lucky person is.'
'Well, that's incredible,' I said.
'It's marvellous. I still can't quite . . .
I'll believe it when I see the cheque.'
'Oh,' they said, 'there is no cheque.'
'But the money?' 'We don't deal in money.
Experiences are what we deal in.
You've had a great experience, right?
Exciting? Something you'll remember?
That's your prize. So congratulations
from all of us at Universal.
Have a nice day!' And the line went dead.
‘The Telephone Call’ by Fleur Adcock is a witty and satirical poem that captures a brief but humorous telephone conversation between the poet and a representative from a fictitious company called “Universal Lotteries.” In this poem, the poet conveys a sense of disbelief and absurdity as the conversation unfolds, ultimately leading to a twist in the expectations of the reader and the poet alike.
The poem begins with the poet receiving a call from the company. The representative eagerly informs her that she is one of the “lucky winners,” suggesting that she is on the brink of becoming a millionaire, or possibly even a multi-millionaire. This news excites the poet, as one might imagine, especially when the representative encourages her to “give way to” her emotions. The excitement of winning such a large sum of money seems almost too good to be true, yet the poet, momentarily overwhelmed, begins to indulge in the fantasy of newfound wealth.
However, as the conversation progresses, a subtle shift occurs. The poet begins to question the authenticity of the call. Her excitement gives way to skepticism as she wonders when she will receive her cheque or the promised money. At this point, the poet seeks clarification, expecting details about the financial aspect of the win. But the representative’s response is unexpected and reveals the absurdity of the situation. They explain that they don’t deal with money at all, but instead, “the experience” is what they are offering.
This revelation only deepens the absurdity of the situation. The idea that a company would offer an “experience” instead of actual money defies logic, and it becomes clear that the call was a scam or a playful trick. The humor in the poem intensifies when the representative’s statement highlights the emptiness of the promise. As the conversation comes to a close, the line suddenly goes dead, leaving the poet with nothing but the realization that she has been the subject of a practical joke or a meaningless offer. The abrupt ending serves as both a literal and figurative conclusion, leaving the poet, and the reader, to reflect on the ridiculousness of the entire exchange.
The poem uses this humorous and ironic situation to explore the themes of false promises, consumerism, and the emptiness of materialism. The poet, initially swept up in the excitement of a potentially life-changing event, is ultimately left disillusioned, reflecting on the hollow nature of such offers. Through this lighthearted yet thought-provoking exchange, Fleur Adcock sheds light on the absurdity of modern consumer culture, where promises of wealth or success often turn out to be shallow and unfulfilling.
‘The Telephone Call’ by Fleur Adcock is a six-stanza free verse poem, where each stanza consists of eight lines. The structure of the poem plays an important role in conveying the emotional shifts that occur during the telephone conversation. The poem's free verse form—meaning it does not adhere to a regular rhyme or meter—allows for a natural, unrestrained dialogue between the poet and the lottery company. This lack of structured rhythm and rhyme mirrors the spontaneous nature of the conversation, making it feel more authentic and unscripted.
In addition to its free verse structure, the poem avoids a fixed meter. Instead, it uses a mix of **iambic** and **trochaic feet**. This creates a rhythmic flow that is not uniform, which is reflective of the emotional ups and downs the poet experiences during the conversation. The rhythm in the poem rises and falls in a way that mirrors the changes in the speaker’s emotional state—starting with excitement, shifting to doubt, and ultimately ending in disillusionment. The internal rhythm of the poem helps illustrate these mental transitions and adds to the overall tone of unpredictability.
To break it down further, let’s look at how the structure reflects the emotional journey of the poem:
The free verse and mixed rhythmic patterns in ‘The Telephone Call’ allow for a flexible structure that mirrors the poet’s emotional fluctuations. This structure gives the poem an informal, conversational quality, further emphasizing the irony and the sense of disappointment the poet feels. The absence of a predictable rhythm or rhyme allows the reader to experience the emotional shifts alongside the speaker, providing a more immersive understanding of her response to the phone call.
Overall, the structure of the poem enhances its meaning, helping the reader to feel the emotional rise and fall of the speaker’s journey. The absence of rhyme and meter, coupled with the varying internal rhythms, adds depth to the poem’s exploration of disappointment and the disillusioning nature of modern-day phone scams.
‘The Telephone Call’ by Fleur Adcock makes use of several literary devices that enhance its meaning and tone. These devices not only contribute to the playful, ironic, and sarcastic nature of the poem but also underscore the speaker's changing emotional state during the conversation.
These literary devices come together to build a rich and layered text. The use of sarcasm, irony, and enjambment reflects the speaker’s changing emotions as she shifts from excitement to disappointment. The metaphorical and figurative language, such as personification and synecdoche, further emphasizes the deceptive nature of the call. Together, these elements work to create a humorous yet critical commentary on modern-day scams and the empty promises they offer.
‘The Telephone Call’ by Fleur Adcock is a postmodern poem that delves into the human psyche, particularly exploring emotions such as greed, hope, and disillusionment. In the poem, the speaker’s interaction with a lottery company serves as a catalyst for examining human nature and the ways people are influenced by the concept of luck.
The poem is set in a contemporary context where lottery companies often use persuasive tactics to lure people into believing they are “winners.” The lottery call, though seemingly a moment of opportunity, is revealed to be a hoax. This deception plays into the idea of greed, where the speaker initially believes she is about to receive a large sum of money, only to be let down as the call ends abruptly. This mirrors the psychological process many individuals experience when they buy lottery tickets, hoping for a stroke of luck that could change their lives.
In a broader historical context, the obsession with luck and chance is not a modern phenomenon. Throughout history, people have been fascinated by the idea of winning large sums of money or achieving sudden success through chance. The lottery, as a form of gambling, taps into this human desire for a quick and effortless way to secure wealth and success. Adcock uses the phone call as a metaphor for this pursuit, showing how it plays with human emotions and encourages people to dream of what might be, even when those dreams are based on illusions.
Through this poem, Fleur Adcock critiques the way society feeds into the idea of luck and the illusions of fortune. It serves as a reflection on how human desires can be manipulated, and how people often waste their time and money in hopes of something that may never come. The telephone call in the poem is not just a literal interaction but also a symbol of the larger societal obsession with luck and chance.
Stanza One
The opening lines of the poem set the stage for the situation. The speaker is asked, “Are you sitting down? Right? This is Universal Lotteries,” which immediately grabs the reader’s attention. The phrase suggests an exciting announcement is about to follow, creating an atmosphere of anticipation.
In the following lines, the speaker explains that the phone call is related to a prize in the “Ultra-super Global Special” lottery, which implies an enormous sum of money—more than a million pounds. However, after this dramatic revelation, the callers sarcastically add, “not that it makes a lot of difference once you’re a millionaire.” They then laugh, which suggests that the announcement is not meant to be taken seriously.
This first stanza sets up a sense of disillusionment, as the speaker realizes the lottery call is not a genuine offer but an attempt to mock her. The tone shifts from excitement to sarcasm, suggesting the disparity between expectation and reality.
Stanza Two
The second stanza of "The Telephone Call" begins to reveal the poem's deeper themes. The tone shifts as the callers ask, “Are you OK? Still there? Come on, now, tell us, how does it feel?” These questions highlight the speaker’s growing sense of confusion and disbelief. The question of "how does it feel?" suggests a disconnect between what the poet expected and the reality of the situation.
This stanza underscores the growing conflict in the poet's mind, where the illusion of a life-changing prize feeds her desire for wealth, leading to confusion and loss of sense. The image of the flying saucer suggests that her rationality has been overtaken by greed and fantasy.
Stanza Three
In the third stanza of "The Telephone Call," the poet's emotions begin to take over her rational mind. The question “That’s unusual” followed by “Go on” from the callers indicates a shift in tone. The speaker is no longer able to remain composed, and her thoughts become dominated by greed and desire. The line "Her throat went dry for the burning greed of her heart" captures the internal struggle the poet faces, as her rational mind is overshadowed by overwhelming emotions.
This stanza illustrates how the poet’s emotions overpower her logic, leading to a sense of vulnerability and loss of self-control. The callers play on her emotions, pushing her into a state of euphoric hopefulness, emphasizing the theme of emotional manipulation.
Stanza Four
In the fourth stanza of “The Telephone Call,” the poet begins to emerge from the hallucination-like state she had fallen into. She responds to the callers, telling them that she hasn’t bought any lottery tickets in recent years. The response causes the callers to laugh at her once again, reinforcing the sense of mockery in the conversation. Despite this, they reassure her not to worry about the ticket, claiming that they operate a "Retrospective Chances Module," which suggests they can retroactively include her in the lottery, regardless of whether she had purchased a ticket.
This stanza introduces further doubts about the authenticity of the lottery call. The poet’s return to reality contrasts with the absurd and manipulative claims of the callers, highlighting the theme of deceit and emotional exploitation in the poem.
Stanza Five
In the fifth stanza of “The Telephone Call,” the poet reflects on the common human tendency to rely on luck, as nearly everyone has bought a lottery ticket at some point, hoping for a chance at a windfall. This highlights the widespread belief in chance rather than self-determined success. The poem suggests that the company, Universal Lotteries, acquires old data from other lottery companies and enters it into their system for a new draw. The poet’s name is drawn, though by this point, she is already recovering from her earlier emotional confusion. She responds skeptically, saying she will only believe the win when she sees the cheque.
This stanza further explores the theme of human reliance on chance and luck, contrasting the excitement of the lottery with the poet’s growing awareness of the situation’s absurdity and her skepticism toward the authenticity of the win.
Stanza Six
In the final stanza of “The Telephone Call,” the poem takes an unexpected turn that shatters the last remnants of the poet's greed. When the poet asks about the cheque, the callers inform her that there is no cheque. Instead, they explain that they do not deal with money but rather with “experiences.” This revelation serves as a powerful message, suggesting that memorable experiences are far more valuable than material wealth. The call ends with the poet being congratulated, but without any actual prize, highlighting the emptiness of the entire situation.
The final stanza delivers a harsh yet profound lesson, illustrating the emptiness of materialism and the fleeting nature of illusions. The poet's greed is dispelled, and the "experience" she receives becomes her only lasting "prize." The poem ends with a sense of closure, as the line goes dead, leaving the poet to reflect on the absurdity of the situation.
Like The Telephone Call by Fleur Adcock, which masterfully explores human emotions and interactions, here is a list of a few poems that delve into similar themes of emotions, communication, and human experiences: