"Sonnet 61" by Michael Drayton is a poignant reflection on the end of a romantic relationship, blending resignation with a faint glimmer of hope. Drayton, a prominent poet of the Elizabethan era, captures the emotional complexities of parting with a lover. The sonnet uses vivid imagery and structured form to convey the tension between letting go and the lingering possibility of rekindling love. It is celebrated for its dramatic opening, introspective tone, and eloquent portrayal of love’s fragile endurance.
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Sonnet 61
Since there’s no help, come let us kiss and part.
Nay, I have done, you get no more of me;
And I am glad, yea glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love’s latest breath,
When, his pulse failing, Passion speechless lies;
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes—
Now, if thou wouldst, when all have given him over,
From death to life thou might’st him yet recover!
Summary of “Sonnet 61”
The sonnet portrays the speaker’s conflicted emotions as he bids farewell to a romantic relationship. He begins by decisively declaring the end of their love, expressing satisfaction in freeing himself from its ties. The speaker suggests a finality in their parting, asking that no trace of their past affection appear in their future interactions. However, as the sonnet progresses, the imagery shifts to a metaphorical depiction of love’s demise. The speaker personifies Love as dying, with Passion, Faith, and Innocence surrounding its deathbed. Despite this seemingly irreversible ending, the final couplet introduces a note of possibility, suggesting that the lover could still revive their relationship if she chooses to.
- Opening resolve: The speaker firmly declares the end of their relationship and expresses relief at being free.
- Call for finality: He proposes that they erase all traces of their former love in future interactions.
- Personification of Love’s death: The speaker dramatizes the end of their relationship with the metaphor of Love dying.
- Hopeful turn: The final couplet hints that love could still be revived if the lover chooses to act.
Analysis of “Sonnet 61”
Michael Drayton employs the structure of the English sonnet to craft a compelling narrative of love and loss. The poem begins with a tone of firm resolve, as the speaker declares his intention to end the relationship. This is reflected in the abrupt and dramatic opening line, "Since there’s no help, come let us kiss and part," which combines tenderness and finality. The language in the first quatrain emphasizes freedom and detachment, while the second quatrain reinforces the idea of mutual erasure, suggesting that both parties should move on without lingering feelings. However, the third quatrain marks a shift in tone, as the speaker uses vivid imagery to portray Love’s deathbed scene. Here, the personification of Passion, Faith, and Innocence adds a sense of drama and gravity to the poem, highlighting the emotional weight of their parting.
The final couplet introduces an unexpected twist, as the speaker suggests that love’s death might not be final. This volta is characteristic of the sonnet form, providing a resolution that contrasts with the preceding lines. The conditional phrasing, "if thou wouldst," implies that the power to revive their love lies in the hands of the speaker’s former lover. This juxtaposition of resignation and hope reflects the speaker’s inner conflict and the universal struggle between moving on and holding on to the possibility of reconciliation.
- Dramatic opening: The poem’s opening line sets a tone of firm resolve, blending tenderness with finality.
- Metaphor of Love’s death: The personification of Love, Passion, Faith, and Innocence adds emotional depth to the poem.
- Volta in the couplet: The shift from resignation to a hint of hope underscores the complexities of ending a relationship.
Themes in “Sonnet 61”
The central themes of *Sonnet 61* include the end of love, emotional conflict, and the possibility of reconciliation. The poem explores the speaker’s attempt to decisively end a relationship, reflecting the pain and relief that come with letting go. The theme of emotional conflict is evident in the juxtaposition of the speaker’s resolve to part and his lingering hope for revival. The metaphor of Love’s death emphasizes the finality of their separation, while the closing couplet introduces a subtle yet powerful theme of hope, suggesting that even the most seemingly irreversible endings might be undone.
- The end of love: The poem examines the emotional complexities of parting and the desire for closure.
- Emotional conflict: The speaker’s resolve contrasts with his lingering hope for reconciliation.
- Reconciliation and hope: The final couplet introduces the possibility of reviving their love despite its apparent demise.
Structure of “Sonnet 61”
The poem follows the structure of an English sonnet, comprising three quatrains and a rhymed couplet with the rhyme scheme ABABCDCDEFEFGG. The structured form mirrors the speaker’s progression from resolve to reflection and finally to a tentative hope. The iambic pentameter lends a rhythmic flow to the sonnet, while the volta in the final couplet creates a dramatic shift in tone and meaning. Drayton’s use of enjambment throughout the poem enhances its conversational quality, drawing readers into the speaker’s emotional journey.
- English sonnet structure: The poem follows the traditional structure of three quatrains and a couplet.
- Rhyme scheme: The ABABCDCDEFEFGG pattern provides cohesion and balance.
- Volta in the couplet: The shift in the final two lines underscores the poem’s emotional complexity.
- Conversational tone: Enjambment adds a natural, reflective quality to the sonnet’s rhythm.
