Having a Wonderful Time, J.G. Ballard: Summary, Analysis & Themes
J.G. Ballard's work, particularly the short story ‘Having a Wonderful Time’, often goes unappreciated despite its profound insights. This story, part of his 1982 collection Myths of the Near Future, skillfully anticipates elements of twenty-first-century life. Told as a series of postcards from the Canary Islands, it humorously yet critically examines themes of forced leisure and restricted freedom.
As days stretch on, Diana joins an amateur theatre group and performs in various plays, including The Importance of Being Ernest.
Richard begins to explore the coast, discovering that there are likely over a million stranded tourists, effectively turning the island into a massive ‘human reserve’ filled with holiday complexes.
Eventually, Richard suggests that Western European governments, in collaboration with Spanish authorities, are intentionally converting the Canaries into a permanent holiday camp to prevent unrest among the employed classes back home. Diana dismisses this idea as ridiculous.
Richard eventually attempts to leave, forming a resistance group and setting off on a stolen boat, only to be found dead on a beach in France. Diana, meanwhile, continues to embrace her seemingly endless vacation, engaging in more theatre productions. By the final postcard, one year since they arrived, she reflects that her friend may also be on the island, and none of her postcards have likely reached their intended destination.
In the story, Diana and Richard's captivity lacks the harshness of typical totalitarian regimes. Instead, they are detained in a comfortable, leisurely manner, symbolized by Diana’s continued participation in theatrical productions, which mirror her blind acceptance of the ‘holiday’ as permanent.
This form of imprisonment reflects modern anxieties about a loss of freedom hidden under the guise of pleasure and convenience. Diana embodies the blissful unawareness of this control, remaining hopeful for their return flight, akin to the play Waiting for Godot—where characters anticipate an arrival that never comes.
Ballard’s humor underscores the absurdity of such a future, where people are removed from the workforce and kept in a prolonged, purposeless holiday. This predicament mirrors recent experiences of extended lockdowns, where furloughed employees were left to consider if this detached lifestyle could become a reality.
The author hints at the unease surrounding a post-work society, a world of bread and circuses where people, like Diana, find comfort in a life void of meaningful responsibilities.