The Defamiliarising World: 'Clocks Striking Thirteen'
In the opening line of the novel, Orwell sets a peculiar scene: "It was a bright cold day in April, and the clocks were striking thirteen." The phrase "striking thirteen" serves as a literary device to defamiliarize the reader with the world he presents. In the 24-hour clock system, thirteen-hundred hours corresponds to one in the afternoon, yet conventional clocks do not chime thirteen times. This deviation from the norm immediately signals the reader that they are entering a world where normality has been warped."Thirteen-hundred hours is, of course, one in the afternoon on the 24-hour clock, but church bells do not operate on that basis, and so clocks ‘striking thirteen’ is Orwell’s way of defamiliarising the world he is presenting us with, right from the off."
The Menace of Big Brother: 'Big Brother is Watching You.'
The infamous slogan, "Big Brother is Watching You," encapsulates the omnipresent surveillance and control exerted by the totalitarian regime. The striking resemblance of the moustachioed figure to Joseph Stalin underscores the oppressive nature of the regime. Big Brother symbolizes the overwhelming power of the state, constantly monitoring its citizens and stifling dissent.The Manipulation of Language: 'War is peace. Freedom is slavery. Ignorance is strength.'
Orwell introduces the concept of Newspeak, a manipulated version of the English language that redefines words to control people's understanding of reality. The quote "War is peace. Freedom is slavery. Ignorance is strength" exemplifies the twisted logic employed by the regime to maintain control. The intentional contradiction of words erodes the population's capacity for critical thinking and ensures their acceptance of whatever the state declares."This quotation, presenting three sets of axiomatic statements which are fundamentally contradictory, exemplifies the ways in which the totalitarian society in Orwell’s novel alters the meanings of words in order to manipulate people’s understanding of the world around them."
The Danger of Self-Knowledge: 'If you want to keep a secret, you must also hide it from yourself.'
In the later stages of the novel, Winston learns that even self-knowledge can be dangerous in a totalitarian society. He realizes that to survive, he must suppress his innermost thoughts and feelings, effectively erasing any notion of individuality. This underscores the terrifying extent to which the regime seeks to control not only external behavior but also internal thoughts."Of course, it is not just language, but thought itself which can be dangerous in Nineteen Eighty-Four, and these words come from near the end of the novel, after Winston has undergone his reprogramming in Room 101."
Doublethink and Cognitive Dissonance
The concept of "Doublethink" is a central theme in the novel, referring to the ability to hold two contradictory beliefs simultaneously and accept both as truth. This psychological manipulation illustrates how totalitarian regimes can coerce their citizens into accepting and embracing outright contradictions."This quotation is also relevant in light of the one above. ‘Doublethink’ – a Newspeak word – is close to what we would also call cognitive dissonance, whereby someone believes two contradictory things at once."
The Role of Orthodoxy: 'Orthodoxy means not thinking – not needing to think. Orthodoxy is unconsciousness.'
Syme's words highlight the regime's desire for conformity and suppression of independent thought. The ruling party seeks to create a population that does not question or challenge its authority, effectively turning them into mindless followers."These words are spoken by Syme, who says them to Winston. As Winston quite rightly predicts, Syme is ‘too intelligent’ for the world of Nineteen Eighty-Four and will be ‘vaporised’ one day…"
The Freedom of Truth: 'Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.'
This profound quote emphasizes the importance of truth and the freedom to express it. If the regime can manipulate even the most basic truths, such as mathematical facts, then all other freedoms are effectively obliterated."Curiously, Orwell may have got the idea of ‘two plus two make four’ as a political truism from G. K. Chesterton…"
The Power of Controlling History: 'Who controls the past controls the future. Who controls the present controls the past.'
The manipulation of historical records in Nineteen Eighty-Four illustrates how those in power can rewrite the past to control the narrative of the future. By erasing or altering history, the regime maintains its grip on reality and effectively erases any opposition to its rule.A Vision of Unbridled Tyranny: 'If you want a picture of the future, imagine a boot stamping on a human face – forever.'
O'Brien's chilling description symbolizes the absolute and perpetual power of the totalitarian state. It portrays the darkest consequences of unbridled oppression, where individuality and humanity are extinguished."Let’s conclude this pick of the best George Orwell quotations with one of his most famous lines, also from Nineteen Eighty-Four. The words are spoken by O’Brien, the grand inquisitor of the totalitarian regime in Orwell’s novel."
Conclusion
George Orwell's Nineteen Eighty-Four serves as a cautionary tale of the dangers of totalitarianism and language manipulation. Through its iconic quotes, the novel portrays a nightmarish world where truth and individuality are crushed under the boot of an all-powerful regime. Orwell's work continues to resonate with readers worldwide, reminding us of the importance of safeguarding our freedoms and resisting any attempts to control thought and language.Note: The text in this study is based on the literary text provided by the user, and the analysis is focused on the themes and quotes present in George Orwell's Nineteen Eighty-Four.
Reach 100K+ monthly readers. Share your writings on Class with Mason. Submit Now!
Disclaimer: The content of this article/paper represents the sole opinions and viewpoints of the author and does not necessarily align with the editorial stance of Class with Mason