Gothic Poems to Love & Liberty
A hauntingly beautiful collection of poetry that explores love, freedom, and the shadows of the soul.
A hauntingly beautiful collection of poetry that explores love, freedom, and the shadows of the soul.
Emily Dickinson was an American poet who lived from 1830-1886 and is often regarded as a pioneer of modern poetry. Her life was relatively secluded, as she lived mainly within her family home in Amherst, Massachusetts. She was a prolific writer, producing almost 1800 poems during her life.
Year | Event |
---|---|
1830 | Emily Elizabeth Dickinson is born on December 10 in Amherst, Massachusetts. |
1840s | Emily attends Amherst Academy, receiving a classical education. |
1855 | Emily meets Reverend Charles Wadsworth, who becomes a close friend and correspondent. |
1861-1865 | The American Civil War takes place, influencing many of Dickinson’s poems. |
1862 | Emily begins writing poetry prolifically, creating almost 1,800 poems during her lifetime. |
1861 | Some of her poems appear in print, anonymously in the Springfield Daily Republican. |
1874 | Emily's father, Edward Dickinson, dies after suffering a stroke. |
1882 | Emily's mother, Emily Norcross Dickinson, dies, contributing to Emily’s reclusiveness. |
1884 | Emily's health begins to decline, though she continues writing poetry until shortly before her death. |
1886 | Emily dies on May 15 at the age of 55 and is buried in Amherst's West Cemetery. Her sister Lavinia discovers a collection of her poems, and they are first published in 1890. |
Emily Dickinson's family dynamics had a significant impact on her writing. Her family was influential in shaping her personality, her beliefs, and her interests. Her father, Edward, was a prominent lawyer and politician, while her mother, Emily Norcross, was a devoutly religious woman who suffered from poor health. Her siblings also played a role in her upbringing and in the development of her literary talent.
One of the most significant influences on Emily's writing was her relationship with her father. Edward Dickinson was a strict and controlling figure, and his expectations for his daughter were high. He encouraged her education and supported her writing, but he also expected her to conform to the social norms of the time. Emily, however, was a free spirit who defied convention and questioned authority. Her poetry often reflects this tension between the desire for independence and the constraints of social expectations.
Emily's mother, Emily Norcross, was a deeply religious woman who suffered from poor health. Her piety and her struggles with illness had a profound impact on Emily's worldview and her understanding of suffering. Many of Emily's poems explore the themes of death, grief, and the afterlife, and her reflections on these topics are often informed by her mother's experiences.
Emily's relationship with her siblings was also important to her development as a writer. Her older brother, Austin, was her closest confidant, and they shared a deep bond throughout their lives. Austin was also a prominent figure in the Amherst community and a friend to many literary figures of the time. His influence helped to shape Emily's literary tastes and her understanding of the publishing industry.
In her writing, Emily often explores the themes of family, love, and loss. Her poems are filled with references to her parents, her siblings, and her close friends. Her relationships with these individuals are often complicated, marked by both affection and conflict. Through her poetry, Emily sought to understand the complex emotions that arise from familial bonds, and to explore the meaning of love and connection in a world that can be both beautiful and cruel.
Emily Dickinson's poetry is deeply connected to her life experiences, her relationships, and her personal beliefs. Her poetry often reflects her struggles with issues such as death, spirituality, and the limitations of the human experience.
One of the most prominent themes in Dickinson's poetry is death. Throughout her life, she experienced a great deal of loss, including the deaths of her parents, several close friends, and numerous acquaintances. In her poetry, she often explores the idea of death as a transition from one state of being to another. For example, in "Because I could not stop for Death," she writes:
Because I could not stop for Death,This poem portrays death as a kindly figure who guides the speaker to the afterlife. The use of the word "kindly" suggests a sense of comfort and reassurance, even in the face of one of life's most difficult challenges.
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
I'm Nobody! Who are you?This poem suggests that individual identity is something to be protected and cherished, rather than something to be shared or publicized. The use of the word "Nobody" implies a rejection of societal expectations and a celebration of individuality.
Are you – Nobody – too?
Then there's a pair of us!
Don't tell! they'd advertise – you know!
This World is not Conclusion.This poem suggests that there is a spiritual realm that exists beyond the limitations of the physical world. The use of the words "Invisible" and "positive" imply that this realm is both mysterious and powerful, and that it holds the key to understanding the mysteries of life and death.
A Species stands beyond –
Invisible, as Music –
But positive, as Sound –
And then he drank a DewThis poem suggests a sense of wonder and reverence for the natural world, as well as a recognition of the interconnectedness of all living things.
From a convenient Grass –
And then hopped sidewise to the Wall
To let a Beetle pass –
The Soul selects her own Society –This poem suggests a rejection of societal expectations and a celebration of individual choice and autonomy.
Then – shuts the Door –
To her divine Majority –
Present no more –
Emily Dickinson's poetry is known for its unique style, which often includes unconventional punctuation, syntax, and capitalization. Here are some of the stylistic elements that are commonly found in her poetry:
Emily Dickinson is known for her rejection of conventional rhyme and meter in her poetry. Instead of adhering to traditional poetic forms, she often used irregular line lengths and syllable counts, and experimented with unconventional rhyme schemes.
This rejection of conventional rhyme and meter allowed her to focus on the emotional content of her poetry, and to explore more complex themes and ideas. By breaking free from the constraints of traditional poetic forms, she was able to express herself in a more authentic and honest way, and to create a unique poetic voice that was distinctly her own.
In addition to her rejection of traditional rhyme and meter, Dickinson also used unconventional syntax and punctuation, such as her use of dashes and ellipses, to create a sense of fragmentation and ambiguity in her poetry. This fragmentation can be seen as a reflection of the dislocation and isolation that she often experienced in her life, and serves to create a sense of intimacy and emotional depth in her work.
Therefore, Dickinson's rejection of conventional rhyme and meter was a bold and innovative move that helped to redefine the boundaries of poetry. Her willingness to experiment with language and form helped to pave the way for future generations of poets, and continues to inspire readers and writers today.
Emily Dickinson was a prolific reader and drew inspiration from a wide range of sources throughout her life. Here are some additional details about her key influences:
Emily Dickinson's legacy is one of the most enduring in American literature. Her contributions to 19th century poetry were groundbreaking, and her innovative use of language and form have inspired countless poets in the years since. One of her most famous quotes, "A fickle food upon a shifting plate," has become emblematic of her unique style and her willingness to challenge conventional literary norms.
Despite her success during her lifetime, Dickinson's critical reception was mixed. Many of her poems were published posthumously, and it was only after her death that her work began to gain widespread recognition. Today, however, she is regarded as one of the most important poets in American history, and her books continue to sell millions of copies around the world.
One of the hallmarks of Dickinson's work was her exploration of love and romance, and her love poems are still celebrated for their emotional depth and raw intensity. She had a unique ability to capture the nuances of human emotion and to convey complex feelings through simple, yet powerful language.
Beyond her contributions to poetry, Dickinson's legacy also includes her imagination and creativity. She was a prolific writer, with thousands of poems and letters to her name, and her work continues to inspire artists and writers in all disciplines.
In conclusion, Emily Dickinson's legacy is one that spans generations and disciplines. Her impact on American literature and culture cannot be overstated, and her books and poetry remain beloved and celebrated around the world. Her critical reception may have been mixed during her lifetime, but her enduring legacy is a testament to the power of imagination, creativity, and the enduring power of great literature.
"I'm 'wife'—I've finished that—In this poem, Dickinson suggests that the traditional roles of wife and woman are constraining and limiting, and that women can achieve greater freedom and agency by rejecting them.
That other state—
I'm Czar—I'm 'woman' now—
It's safer so—"
"They shut me up in Prose—Here, Dickinson uses her own experience of being silenced as a metaphor for the larger societal forces that work to silence and suppress women's voices.
As when a little Girl
They put me in the Closet—
Because they liked me 'still'—"
Emily Dickinson was known for being a recluse and spending much of her adult life in isolation, largely confined to her room in her family's home in Amherst, Massachusetts. She rarely left the house and was notoriously private, receiving few visitors aside from a few close friends and family members.
Dickinson's self-imposed solitude has been attributed to a variety of factors, including her own physical and mental health issues, a desire for privacy and independence, and a fascination with the mysteries of the human mind and consciousness.
Her bedroom, where she spent most of her time writing and reflecting, was her sanctuary and a place of great creative productivity. In this space, she was free to explore the depths of her imagination and engage with the world around her on her own terms.
Interestingly, Emily Dickinson did not attend her own father's funeral in 1874, despite being in the house at the time. Some historians believe that this was a result of her profound fear of death and an unwillingness to confront the reality of mortality. Her reclusive nature made it difficult for her to cope with the loss of loved ones and engage in the rituals of mourning and remembrance that were common at the time.
Despite her personal struggles with solitude and confinement, Dickinson was able to channel her experiences into her poetry, creating a body of work that continues to captivate readers and scholars today.
Emily Dickinson is known for her reclusive lifestyle, and many of her poems explore themes of solitude and confinement. Dickinson often wrote about the isolation of the individual, and how this can lead to a deeper understanding of oneself and the world.
In her poem "I felt a Funeral, in my Brain," Dickinson uses vivid imagery to convey a sense of confinement and suffocation:
And then a Plank in Reason, broke,Here, Dickinson's use of the metaphor of a funeral procession to describe her mental state emphasizes the feeling of confinement and the sense of being trapped in one's own thoughts.
And I dropped down, and down—
And hit a World, at every plunge,
And Finished knowing—then—
When it comes, the Landscape listens—Here, Dickinson uses the metaphor of winter to represent the feeling of confinement and isolation that can come with the end of the year.
Shadows—hold their breath—
When it goes, 'tis like the Distance
On the look of Death—
Emily Dickinson was a revolutionary poet whose writings helped to define the aesthetics and poetics of nineteenth-century American poetry. Her verse, characterized by its imaginative use of language and form, is considered a sublime example of the Romantic literature of her time. Dickinson's writings were discovered posthumously in manuscript form, and since then have been widely anthologized and studied by scholars of American literature.
Her poetics were heavily influenced by Victorian philosophers and intellectuals, and her aesthetic was deeply rooted in idealism, consciousness, and imagination. Dickinson's isolation and solitude, which were due to her recluse nature, were also significant themes in her work, and many of her narratives explore the human mind and its relation to the sublime.
Dickinson's poetry was also notable for its feminist themes, and her free verse and use of rhythm helped to usher in a new era of contemporary poetry. Her selected poems were highly regarded for their sentiment, sensibility, and poetic diction, and they continue to be celebrated for their melancholy and delight.
Dickinson's literary works were reflective of various literary periods and movements, including romantic poetry, realism, and modernism. Her journals and essays offer a descriptive and detailed account of her life and artistic process, while her ballad and prelude compositions have become beloved examples of the literary sublime.
Dickinson's interest in mysticism and goodness were also reflected in her literary works, which have captivated readers from her time to the present day. Her contributions to American poetry and the humanities have been immeasurable, and her literary legacy remains an inspiration to scholars and readers alike.
Emily Dickinson is known for many memorable quotes, but her most famous and often quoted line is probably:
"Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all."
This quote is from one of her most well-known poems, "Hope is the Thing with Feathers."
Emily Dickinson never got married. She remained unmarried throughout her life and lived as a recluse in her family home in Amherst, Massachusetts. There is speculation that she may have had romantic relationships with a few individuals, including Susan Gilbert (who later married Emily's brother), but there is no conclusive evidence to confirm this. Dickinson's poetry often explores themes of love and desire, but she never entered into a conventional marriage or long-term romantic partnership.
Emily Dickinson is considered unique in many ways. Here are a few reasons:
Emily Dickinson died of Bright's disease, which is a historical term used to describe a range of kidney diseases. Today, Bright's disease is known as nephritis or inflammation of the kidneys. Dickinson's exact cause of death is not entirely clear, as the language used to describe medical conditions was not as precise during her time. However, it is widely believed that Bright's disease was the primary cause of her death.
Emily Dickinson is not generally considered a confessional poet. Confessional poetry is a type of poetry in which the poet writes about intensely personal and often controversial subjects, such as their private lives, experiences, and emotions. While Dickinson's poetry often deals with themes such as love, death, and the mysteries of the human condition, she typically does not write in a confessional style.
Instead, Dickinson is known for her highly personal and often enigmatic style of writing, in which she explores the complexities of human experience through metaphor, imagery, and symbolism. Her poetry often reflects her own inner life and struggles, but in a more abstract and universal way than confessional poetry.
Emily Dickinson died on May 15, 1886, at the age of 55.
There is no conclusive evidence that Emily Dickinson had same-sex romantic relationships or identified as a homosexual. However, some scholars have speculated that she may have had romantic relationships with women, based on letters and poems that suggest she had close emotional bonds with some of her female friends. Nonetheless, the exact nature of these relationships remains a subject of debate and speculation, and it is important to remember that Emily Dickinson lived in a time when same-sex relationships were not openly discussed or accepted.
Emily Dickinson and Walt Whitman are two of the most influential and renowned poets in American literature. They both lived during the 19th century, and although they were contemporaries, their writing styles and poetic approaches were quite different.
Emily Dickinson and Walt Whitman are often considered as the "twin towers" of American poetry, with Dickinson's introspective and condensed poetry standing in contrast to Whitman's expansive and celebratory verse. While they were both experimental poets who broke away from traditional forms and conventions, they had different visions of poetry and its role in society.
Dickinson's poetry is characterized by its brevity and introspection, often focusing on the individual's inner life and emotions. In contrast, Whitman's poetry is characterized by its expansive and inclusive nature, often celebrating the common man and his place in society.
Despite their differences, Dickinson and Whitman shared a deep appreciation for language and its power to convey complex emotions and ideas. They both rejected the conventions of their time and experimented with form, syntax, and diction to create a new kind of poetry that was uniquely American.
Their work was not widely recognized during their lifetimes, but their influence on American poetry and literature is undeniable. In the words of critic Harold Bloom, they are "the two greatest poets in the English language since the seventeenth century."
In conclusion, Emily Dickinson and Walt Whitman were two of the most innovative and influential poets of the 19th century. While they had different approaches to poetry, they shared a deep love of language and a commitment to breaking away from traditional forms and conventions. Their legacy continues to influence American poetry and literature to this day.
Emily Dickinson had a fascination with death that is evident in many of her poems. Death was a constant theme in her work, and she often approached it with a mix of fear, curiosity, and wonder. For Dickinson, death was not just the end of life, but a gateway to something beyond the physical world.
In her poem "Because I could not stop for Death," she personifies death as a kind, gentlemanly figure who takes her on a carriage ride towards eternity:
"Because I could not stop for Death –In "I heard a Fly buzz – when I died," Dickinson describes the moment of death as a quiet, almost mundane event, yet one with profound significance:
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality."
"I heard a Fly buzz – when I died –Throughout her poetry, Dickinson grapples with the mystery and finality of death, exploring its meaning and the impact it has on life. Her fascination with death was not just a morbid preoccupation, but a deep and profound part of her understanding of the human experience.
The Stillness in the Room
Was like the Stillness in the Air –
Between the Heaves of Storm –"
Susan Gilbert was a close friend of Emily Dickinson, and their relationship has been the subject of much speculation and interpretation. Some scholars believe that Dickinson was romantically involved with Gilbert, while others suggest that their relationship was primarily a close friendship.
Despite the uncertainty surrounding the nature of their relationship, it is clear that Gilbert played an important role in Dickinson's life and work. Gilbert was a frequent visitor to the Dickinson household, and the two women exchanged numerous letters and poems. In fact, some scholars believe that Gilbert was a key figure in shaping Dickinson's poetic voice and encouraging her to pursue her writing.
In one of her letters to Gilbert, Dickinson wrote: "Susie, forgive me darling for every word I say – my heart is full of you, none other than you in my thoughts, yet when I seek to say to you something not for the world, words fail me. If you were here – and Oh that you were, my Susie, we need not talk at all, our eyes would whisper for us, and your hand fast in mine, we would not ask for language."
While the exact nature of their relationship may never be fully known, it is clear that Dickinson and Gilbert shared a deep and meaningful connection that influenced both of their lives and creative work.