EARLY PERIODS OF LITERATURE
These periods are spans of time in which literature shared intellectual, linguistic, religious, and artistic influences. In the Western tradition, the early periods of literary history are roughly as follows below:
A. THE CLASSICAL AGE (1200 BCE - 455 CE)
This age comprises of four periods in the early history of literature.
The Homeric or Heroic period was a time in ancient Greek history marked by the oral transmission of legends and myths, including the famous epics The Iliad and The Odyssey attributed to the poet Homer. According to William Henry Hudson in his Introduction to the Study of Literature, these epic poems "represent the climax of Greek heroic poetry" and "stand at the head of the literature of Europe" (Hudson, p. 5). The Iliad tells the story of the Trojan War and the Odyssey tells the story of the hero Odysseus's journey home after the war. These poems were likely composed in the 8th century BCE and were an important part of ancient Greek culture, widely studied and admired.
The Homeric period was also a time of great cultural and political upheaval in ancient Greece, as Andrew Sanders explains in The Short Oxford History of English Literature: "The world of the Homeric epics was one of great social and political change, a world in which the old heroic values of the Mycenaean age were giving way to the new order of the polis" (Sanders, p. 3). This period was a transition between the Mycenaean civilization of the Late Bronze Age and the rise of the city-states in the Classical period. During this time, the Greek world was marked by a proliferation of warrior-princes, wandering sea-traders, and fierce pirates. The Homeric epics, with their themes of adventure, heroism, and conflict, reflect this tumultuous time in Greek history.
According to Mario Klarer in his Introduction to Literary Studies, the Homeric epics are important not only for their historical and cultural significance, but also for their enduring literary value. Klarer notes that "the lasting appeal of the Homeric epics is due not only to their narrative power and the individualization of their heroes, but also to the universal themes they address, such as the nature of justice, the role of the gods, the importance of hospitality, the power of fate, and the quest for identity" (Klarer, p. 7). These themes continue to resonate with readers today and have made the Homeric epics enduring classics of world literature.
According to Mario Klarer in his Introduction to Literary Studies, the Classical Greek period was a time of great innovation and experimentation in literature. The playwrights of this period, such as Sophocles and Euripides, introduced new elements into the traditional Greek dramatic form, such as the use of tragic irony and the exploration of psychological complexity in their characters (Klarer, p. 8). The philosophers of this period, such as Plato and Socrates, developed new ideas about the nature of reality and the meaning of life that continue to influence philosophy and thought today.
The Classical Greek period, which lasted from the 8th century BCE to the 2nd century BCE, was also a time of great cultural and intellectual achievement in ancient Greece. During this period, Greek playwrights, philosophers, and authors such as Euripides, Sophocles, Aesop, Plato, Socrates, and Gorgias made important contributions to literature, philosophy, and other fields. The fifth century BCE, in particular, is often referred to as The Golden Age of Greece because of the exceptional flowering of Greek culture and intellectual life during this time (Klarer, p. 7).
According to Andrew Sanders in The Short Oxford History of English Literature, the Classical Greek period saw the development of the city-state, or polis, which was the primary unit of political organization in ancient Greece. The polis was a self-governing community that included not only the city itself, but also the surrounding countryside (Sanders, p. 3). The Classical Greek period also saw the emergence of early democracy, with the city of Athens becoming a particularly important center of political and cultural life. The city of Athens was the birthplace of some of the greatest works of philosophy, poetry, theatre, and art in the world (Hudson, p. 5).
Noteable Male Writers & Works
Notable Women Note: It is worth noting that these women were exceptions to the norm in ancient Greece, where women were generally excluded from public life and intellectual pursuits. Most women in ancient Greece were confined to the domestic sphere and had little opportunity to pursue education or participate in public discourse.
I. HOMERIC OR HEROIC PERIOD (1200-800 BCE)
II. CLASSICAL GREEK PERIOD (800-200 BCE)
III. CLASSICAL ROMAN PERIOD (200 BCE-455 CE)
According to Andrew Sanders in The Short Oxford History of English Literature, the Classical Roman period, which lasted from the 2nd century BCE to the 5th century CE, was a time of great political and cultural change in the Roman world. In 146 BCE, Rome conquered Greece, bringing the culture of Greece under Roman rule (Sanders, p. 3). The Roman Republic, which was supposedly established in 509 BCE, reached its full potential in the following centuries. Playwrights such as Plautus and Terence were active during this time.
After almost 500 years as a Republic, Rome entered a dictatorship under Julius Caesar. This was followed by the establishment of the Roman Empire under Caesar Augustus in 27 BCE. According to William Henry Hudson in his Introduction to the Study of Literature, the Roman Imperial era, which lasted until the 5th century CE, was a time of great expansion and prosperity for the Roman Empire. Roman authors such as Ovid, Horace, and Virgil were active during this time and made important contributions to literature (Hudson, p. 7). Roman thinkers such as Lucretius and Marcus Aurelius also made important contributions to philosophy (Klarer, p. 9).
The Classical Roman period was also a time of great achievement in the field of rhetoric. Rhetoricians such as Cicero and Quintilian were important figures in this field and made significant contributions to the development of rhetorical theory and practice (Klarer, p. 10). Overall, the Classical Roman period was a time of great cultural and intellectual achievement in the Roman world.
Notable Male Figures
Notable Women
Unfortunately, much of the work of these women has been lost over time, and many other female writers and philosophers from the Classical Roman period are not known to us by name.
IV. PATRISTIC PERIOD (c. 70 CE-455 CE)
The Patristic period, which lasted from the 1st century CE to the 5th century CE, was a time of great importance in the history of Christianity. During this period, there were many writings by early Christian authors, including St. Augustine, Tertullian, St. Cyprian, St. Ambrose, and St. Jerome. These authors made important contributions to Christian theology and philosophy (Hudson, p. 9).
The Patristic period also saw the expansion of Christianity throughout Europe. According to Andrew Sanders in The Short Oxford History of English Literature, during this time the Roman Empire experienced its last convulsions as it was invaded by barbarian tribes (Sanders, p. 4). In 410 CE, the city of Rome was first invaded by barbarian tribes, and by 455 CE, the city had completely fallen to them (Klarer, p. 11).
One of the most significant achievements of the Patristic period was the preparation of the first draught of the Bible by Saint Jerome. This translation, known as the Vulgate, became the standard version of the Bible for the Western Church and had a major influence on the development of Christianity (Klarer, p. 12). Overall, the Patristic period was a time of great significance in the history of Christianity and had a lasting impact on the development of European culture.
Notable Men
Notable Women
Major Themes in The Classical Age
The Classical Age (1200 BCE - 455 CE) saw the emergence of epic poetry, lyric poetry, tragedy, and comedy, among other literary genres. Some major themes that appeared in literature during this period include:
B. THE MEDIEVAL AGE (455 CE-1485 CE)
This age comprises of two periods in the early history of literature.
According to Andrew Sanders in The Short Oxford History of English Literature, the Old English (Anglo-Saxon) period, which lasted from 428 CE to 1066 CE, was a time of great political and cultural change in Europe and Britain (Sanders, p. 5). This period marked the beginning of the so-called "Dark Ages" (455 CE-799 CE), characterized by the collapse of the Roman Empire and the invasion of Europe by barbarian tribes. The Old English period also saw the emergence of the Carolingian Renaissance (800-850 CE) in Europe. According to Mario Klarer in his Introduction to Literary Studies, during this time texts such as early medieval grammars and encyclopedias were produced in central Europe (Klarer, p. 13). In northern Europe, this period marks the setting of Viking sagas (Sanders, p. 6). Overall, the Old English period was a time of great cultural and intellectual achievement in Europe and Britain. After the Anglo-Saxons embraced Christianity, the poets took up religious themes as the subject matter of their poetry. A major portion of Anglo-Saxon poetry is religious. The two important religious poets of the Anglo-Saxon period were Caedmon and Cynewulf: Anglo-Saxon poetry is markedly different from the poetry of the next period—Middle English or Anglo-Norman period—for it deals with the traditions of an older world and expresses another temperament and way of living; it breathes the influence of the wind and storm. It is the poetry of a stern and passionate people, concerned with the primal things of life, moody, melancholy, and fierce, yet with great capacity for endurance and fidelity. The Anglo-Saxon period was also marked by the beginning of English prose. Through the Chronicles, which probably began in King Alfred's time, and through Alfred's translations from the Latin, a common available prose was established, which had all sorts of possibilities in it. Unlike poetry, there was no break in prose between the Anglo-Saxon period and the Middle English period, and even the later prose in England was a continuation of Anglo-Saxon prose. The tendency of Anglo-Saxon prose is towards observance of the rules of ordinary speech, which is why, though one has to make a considerable effort to read verse of the Anglo-Saxons, it is comparatively easy to understand their prose. The great success of Anglo-Saxon prose is in religious instructions, and the two great pioneers of English prose were Alfred the Great, the glorious king of Wessex, who translated a number of Latin Chronicles into English, and Aelfric, a priest, who wrote sermons in a sort of poetic prose. As made clear in the first part of this book, the literature of any country in any period is a reflection of the life lived by the people of that country in that particular period. This applies to the literature of the Old English period. The Angles and Saxons combined in themselves opposing traits of character—savagery and sentiment, rough living and deep feeling, splendid courage and deep melancholy resulting from thinking about the unanswered problem of death. They lived a rich external as well as internal life, and it is especially the latter which is the basis of their rich literature. The Anglo-Saxon language is only a branch of the great Aryan or Indo-European family of languages. It has the same root words for father and mother, for God and man, for the common needs and the common relations of life, as we find in Sanskrit, Iranian, Greek, and Latin. And it is this old vigorous Anglo-Saxon language that forms the basis of modern The Normans, residing in Normandy (France), defeated the Anglo-Saxon King at the Battle of Hastings (1066) and conquered England. This event marked the beginning of a new epoch in both the literary and political history of England. The Anglo-Saxon authors, like the Anglo-Saxon king, were suddenly and permanently displaced. The literature read and written by Englishmen underwent a complete transformation, reflecting the sentiments and tastes of the new rulers. Over time, the Anglo-Saxons lost their initial hostility towards the Normans, and both groups became part of one nation. The Normans brought with them not only soldiers, artisans, and traders but also scholars to revive knowledge, chroniclers to record memorable events, and minstrels to celebrate victories or sing of adventure and love. With the Norman Conquest, the English language was thrown into the background. The clergy insisted on the use of Latin, and the nobility preferred French. As a result, few works appeared in the native tongue for nearly three centuries. However, some works were composed in English, mainly reflecting the sentiments and tastes of French writers, as French was the supreme arbiter of European literary style during this period. The Norman Conquest brought significant changes to English literature, marking the transition from the Anglo-Saxon period to the Anglo-Norman period. The new literary forms and influences reshaped the cultural and intellectual landscape of England, laying the foundation for future literary developments. The most popular form of literature during the Middle English period was the romances. These works, notable more for their stories than their poetry, became the primary source of mental recreation for the general populace. The romances were mostly borrowed from Latin and French sources and often dealt with legendary tales of heroes and heroines. Key subjects included: During the Middle English period, Miracle plays gained immense popularity. These plays, sometimes incorrectly referred to as Mystery plays, depicted an extensive cycle of sacred history. They began with the creation of man, followed by his fall and banishment from the Garden of Eden, and continued through significant events of the Old Testament and the life of Christ in the New Testament, culminating in the final judgment. Miracle plays flourished in England from the reign of Henry II to that of Elizabeth (1154-1603). Another significant form of drama during the Middle Ages was the Morality plays. These plays centered around the theme of the struggle between good and evil for the human soul. Key characteristics included: In summary, while Miracle plays sought to cover the complete range of sacred history and the life of Christ, Morality plays aimed to represent the full spectrum of human experience and moral struggles.I.THE OLD ENGLISH (ANGLO-SAXON) PERIOD (428-1066)
Introduction to the Old English Period
Migration and Settlement
The Carolingian Renaissance
Anglo-Saxon Literature
Surviving Anglo-Saxon Poetry
Religious Themes in Anglo-Saxon Poetry
Characteristics of Anglo-Saxon Poetry
Beginning of English Prose
Anglo-Saxon Settlement in England
Reflection of Life in Literature
Principles Reflected in Literature
Music and song where the heroes sat—
The glee-wood rang, a song uprose
When Hrothgar's scop gave the hall good cheer.Anglo-Saxon Language and Modern English
Notable Men
Notable Women
Unfortunately, there are no known female writers or philosophers from the Old English (Anglo-Saxon) period. This is not necessarily an indication that there were no women writers or thinkers during this time, but rather that their works may not have survived or been recorded. Women's contributions to literature and philosophy have often been overlooked or marginalized throughout history, and the lack of surviving works by women from this period is likely due to a combination of factors including social norms and gender-based discrimination.
II. THE MIDDLE ENGLISH PERIOD (c. 1066-1450 CE)
Introduction to the Norman Conquest
Impact on English Literature
Integration of Normans and Anglo-Saxons
Differences Between Anglo-Saxon and Anglo-Norman Periods
Changes in Literary Expression
Anglo-Saxon Period
Anglo-Norman Period
Old English poetry flourished with works like Beowulf and The Wanderer.
Anglo-Saxon poetry disappeared, and new poetic education began with influences from French and Latin.
Literature was primarily in the English vernacular, with some Latin used by the clergy.
French became the natural speech of the cultivated and high-born, with Latin extensively used in monasteries and the Church.
Poetry and prose reflected the life and struggles of the Anglo-Saxons.
Literature echoed the sentiments and tastes of French writers, with anonymity being a common characteristic.
Adoption of Foreign Literary Forms
Characteristics of Medieval Literature
Conclusion
The Romances
#### (b) The Miracle and Morality Plays
Miracle Plays
Content
Enormous cycle of sacred history
Timeline
From the creation of man to the final judgment
Popularity Period
1154-1603
Morality Plays
Notable Men
Major Themes in The Medieval Age (455 CE-1485 CE)
The Medieval Age (455 CE-1485 CE) was a period of significant change and development in European literature, marked by a mix of classical, Christian, and chivalric traditions. Some of the major themes in literature during this period include:
Key Timeline Narratives 455 CE-1485 CE
Political Background
Here is a timeline of some of the major political upheavals that occurred during The Medieval Age:
Note that this is not an exhaustive list and there were many other political events and conflicts that occurred during this time period.
Economic Background
Religious Background
The period from 455 CE to 1485 CE, commonly known as the Medieval Age, was marked by several religious conflicts. Here is a timeline of some of the major religious conflicts during this period:
These religious conflicts had a significant impact on the politics, society, and culture of Europe and the Middle East during the Medieval Age.
C. THE RENAISSANCE AND REFORMATION (c. 1485-1660 CE)
In Britain, the Renaissance occurs in the late 15th, early 16th, and early 17th centuries. In Italy and southern Europe, it occurs somewhat sooner, while in northern Europe, it occurs slightly later.
This age comprises of four periods in the early history of literature.
The Early Tudor period, which lasted from 1485 to 1558 CE, was a time of great political and religious change in Europe and Britain. According to William Henry Hudson in Introduction to the Study of Literature, this period saw the end of the War of the Roses in England with the accession of Henry Tudor (Henry VII) to the throne (Hudson, p. 12).
The Early Tudor period also marked the beginning of the Protestant Reformation, with the break from Rome by Martin Luther and the establishment of the first Protestant church in England by Henry VIII (Sanders, p. 8). The Anglican schism, as it was known, was a significant event in the history of Christianity and had far-reaching consequences for the religious landscape of Europe.
One notable poet of this period was Edmund Spenser, who is considered one of the greatest English poets of all time (Klarer, p. 15). His epic poem, The Faerie Queene, is considered a masterpiece of Renaissance literature and has had a lasting influence on English literature. The Elizabethan period, which lasted from 1558 to 1603 CE, was a time of great cultural and literary achievement in England. This period saw the reign of Queen Elizabeth I, who is credited with saving England from both Spanish invasion and internal squabbles (Hudson, p. 13).
The Elizabethan period is known for the early works of some of the greatest playwrights and poets in English literature, including William Shakespeare, Christopher Marlowe, John Kydd, and Sir Philip Sidney (Klarer, p. 16). The plays and poetry produced during this time were characterized by a focus on themes of love, honor, and betrayal, and were often set against a backdrop of historical events and figures.
The Elizabethan era is often considered the golden age of English literature, and the works produced during this time have had a lasting impact on the literary world. The plays of Shakespeare, in particular, are still widely studied and performed today, and his works are considered some of the greatest achievements in the history of literature. The Jacobean period, which lasted from 1603 to 1625 CE, saw the continuation of the cultural and literary achievements of the Elizabethan era. During this time, Shakespeare produced some of his later works, such as The Tempest and The Winter's Tale (Hudson, p. 14).
Other notable writers of the Jacobean period include Aemilia Lanyer, Ben Jonson, and John Donne (Klarer, p. 17). Lanyer was one of the first published female poets in England, and her work focused on themes of gender and power. Jonson was a playwright and poet known for his wit and satirical style, and Donne was a poet and clergyman whose works explored themes of love and faith.
The Jacobean period was also marked by significant political and social upheaval, with the Gunpowder Plot of 1605 and the outbreak of the Thirty Years' War in Europe (Sanders, p. 9). These events had a profound impact on the literature of the time, as writers grappled with issues of religious conflict and political instability.
Overall, the Jacobean period was marked by a continuation of the themes and styles of Elizabethan literature, as well as the emergence of new voices and perspectives. Despite the challenges of the time, it was a period of great creativity and innovation in literature.
The Caroline age, which lasted from 1625 to 1649 CE, was a time of great literary achievement in England. This period saw the reign of King Charles I and the emergence of the Cavaliers, a group of courtiers and poets known for their lavish lifestyle and love of poetry (Hudson, p. 15).
Some of the most notable writers of the Caroline age include John Milton, George Herbert, Robert Herrick, and the "Sons of Ben," a group of poets who were influenced by the work of Ben Jonson (Klarer, p. 18). These writers produced works that explored themes of faith, love, and personal identity, and their poetry and prose had a lasting impact on English literature.
The Caroline age was also marked by significant political and social upheaval, with the outbreak of the English Civil War and the execution of King Charles I (Sanders, p. 10). These events had a profound impact on the literature of the time, as writers grappled with issues of loyalty, power, and the role of the monarchy in society.
Overall, the Caroline age was a time of great creativity and innovation in literature, as writers responded to the challenges and opportunities of their time.
Following Shakespeare's era, English drama underwent a decline during the reigns of James I and Charles I. The lofty standards set by Shakespeare were not maintained, and the drama evolved into what can be described as 'decadent'. The essence of Elizabethan drama faded, leaving behind mere outward displays. Character gave way to sentiment, eloquent speeches took precedence over nuanced character revelations, and shocking actions were described for rhetorical effect rather than psychological insight. Unlike the Elizabethan preference for fortitude and action, Jacobean and Caroline dramatists depicted passive suffering and a lack of vigor, often resorting to resignation and pathos. While Shakespeare celebrated action and its associated emotions, his successors focused on rhetorical displays and pedantry, contributing to the decline of the romantic drama that had flourished in Elizabethan times. The foremost dramatist of the Jacobean period was Ben Jonson, whose works straddle both Renaissance and Jacobean styles. Other significant dramatists of this era include: Despite the contributions of these dramatists, English drama suffered a significant setback when the Puritans closed the theatres in 1642. The ban lasted for eighteen years until the Restoration, marking a pivotal period in the history of English theatre.
Known for his aphoristic style. Master of Essays, providing worldly wisdom for statesmen.
Wrote Henry VII and The Advancement of Learning, promoting scientific investigation.
Author of The Anatomy of Melancholy, analyzing human melancholy and its cure.
Draws from ancient and modern sources, written in straightforward and vigorous style.
Known for his elaborate and stylistic prose.
Wrote Religio Medici, expressing his beliefs and thoughts.
Hydriotaphia or The Urn Burial reflects on time and antiquity with rhetorical splendor.
English prose evolved into a flexible instrument, influenced by the simplicity and force of the Authorised Version of the Bible.
Scholars began writing in English rather than Latin, enriching prose with narrative, philosophical speculation, and scientific knowledge.
The Commonwealth period, also known as the Puritan interregnum, lasted from 1649 to 1660 CE and was marked by the rule of Oliver Cromwell and his Puritan dictatorship (Hudson, p. 16).
During this time, John Milton continued to write, producing notable works such as Paradise Lost and Paradise Regained (Klarer, p. 19). However, the Commonwealth period also saw the emergence of other writers, including Andrew Marvell and Sir Thomas Browne (Sanders, p. 11). Marvell was a poet and politician known for his wit and political commentary, while Browne was a physician and author whose works explored themes of science, religion, and the natural world.
The Commonwealth period was a time of great change and upheaval in England, as the country underwent significant political and social transformations. This is reflected in the literature of the time, which grappled with issues of power, authority, and the role of the state in society.
Overall, the Commonwealth period was a time of great creativity and innovation in literature, as writers responded to the challenges and opportunities of their time.
I. Early Tudor Period (1485-1558)
Notable Women
Notable Men
(Related: Christopher Marlowe: A Maverick Playwright of the Elizabethan Era )
(Related: 1. John Donne: A Metaphysical Poet
2. John Donne: Exploring the Depths of Metaphysical Poetry
II. Elizabethan Period (1558-1603)
Notable Women
Notable Men
III. Jacobean Period (1603-1625)
Notable Women
Notable Men
IV. Caroline Age (1625-1649)
Notable Women
Notable Men
Jacobean and Caroline Drama
Jacobean and Caroline Prose
Francis Bacon (1561-1626)
Robert Burton (1577-1640)
Sir Thomas Browne (1605-1682)
Other Notable Writers
Influence
V. Commonwealth Period or Puritan Interregnum (1649-1660)
Major Themes in the Renaissance and Reformation 1485-1660 CE
The Renaissance and Reformation period (c. 1485-1660 CE) saw a significant cultural and intellectual revival in Europe, characterized by an interest in classical knowledge, humanism, and individualism. Here are some major themes in literature during this period along with examples:
Overall, the Renaissance and Reformation period was marked by a significant cultural shift towards humanism, individualism, and secularism, which is reflected in the literature of the time.
Key Timeline Narratives 1485-1660
Political Background
The Renaissance and Reformation (c. 1485-1660 CE) was a period of significant political upheaval and change in Europe. Here are some key timeline narratives:
The Economic Background
Religious Background
LATER PERIODS OF LITERATURE
D. The Enlightenment (Neoclassical) Period (c. 1660-1790)
"Neoclassical" refers to the increased influence of Classical literature upon these centuries. The Neoclassical Period is also called the "Enlightenment" due to the increased reverence for logic and disdain for superstition. The period is marked by the rise of Deism, intellectual backlash against earlier Puritanism, and America's revolution against England.
This age comprises of four periods in the early history of literature.
After the Restoration in 1660, when Charles II came to the throne, England experienced a complete repudiation of Puritan ideals and way of life.
The period from 1660 to 1700 is known as the Restoration period because monarchy was restored in England.
Charles II, returning from exile in France, became the king, marking a shift in cultural and literary norms.
This period is often referred to as the Age of Dryden, as John Dryden emerged as the dominant literary figure.
The Restoration saw a rejection of Puritan control, leading to a wave of licentiousness and frivolity inspired by French court life.
English literature moved away from the Elizabethan spirit and began imitating French writers, emphasizing realism and preciseness over romanticism.
The tendency towards preciseness became a hallmark of the Restoration period.
Writers embraced directness and simplicity in expression, rejecting the grandiloquence of previous eras.
Influenced by French literature, they favored reasoning over romanticism, using clear-cut sentences and avoiding unnecessary embellishments.
Dryden, especially, epitomized the classical style in both prose and poetry.
He popularized the heroic couplet in poetry and advocated for a formal and elegant prose style characterized by clarity and precision.
This classical style dominated English literature for more than a century, influencing subsequent literary periods.
The Augustan Age, which lasted from around 1700 to 1750 CE, was a time of great literary achievement in England. During this period, writers were heavily influenced by the works of classical authors such as Virgil and Horace, and sought to emulate their style and themes in their own works.
Some of the most notable English writers of the Augustan Age include Joseph Addison, Richard Steele, Jonathan Swift, and Alexander Pope (Sanders, p. 26). Addison and Steele were influential essayists and satirists, while Swift was a prominent author of satire, poems, and political tracts. Pope, a central figure in the neoclassical movement, was known for his poems, translations, and critical works.
The Augustan Age was also marked by the emergence of international writers such as Voltaire, who was a prominent French author known for his wit, his criticism of Christianity, especially the Catholic Church, and his advocacy of civil liberties and freedom of religion (Klarer, p. 25). Voltaire's works, which included plays, poems, and essays, were widely read and influential throughout Europe and beyond.
Overall, the Augustan Age was a time of great literary and cultural achievement, as writers sought to engage with classical traditions and contemporary issues in new and innovative ways. The Age of Johnson, which lasted from around 1750 to 1790 CE, was a time of great literary and cultural achievement in England. This period is often referred to as the transition from Neoclassicism to Romanticism, as it saw the emergence of new literary movements and styles that challenged the dominant neoclassical ideals of the time.
Some of the most notable writers of the Age of Johnson include Samuel Johnson, Boswell, and Edward Gibbon, who were known for their adherence to neoclassical principles and their contributions to the fields of literature and scholarship (Hudson, p. 45). In contrast, writers such as Robert Burns, Thomas Gray, William Cowper, and George Crabbe were known for their departure from neoclassical ideals and their exploration of new themes and styles that would later come to be associated with Romanticism.
The Age of Johnson was also a time of great cultural and political change in America, as the country underwent a period of colonization and revolution. During this time, authors such as Thomas Jefferson, Thomas Paine, and Benjamin Franklin emerged as important figures in the fight for independence and the development of a new national identity. Their works, which included political tracts, essays, and letters, helped to shape the course of American history and continue to be widely read and studied today.
Overall, the Age of Johnson was a time of great literary and cultural achievement, as writers sought to engage with the changing political and cultural landscape of the time and to explore new themes and styles in their work.
The Romantic period is widely regarded as the most prolific era in English literature. It marked a significant departure from the Classical school, championed by earlier writers such as Chatterton, Collins, Gray, Burne, and Cowper. This rebellion reached its zenith during this period, with some of the most renowned English poets—Wordsworth, Coleridge, Byron, Shelley, and Keats—emerging as its luminaries. The Romantic period commenced in 1798 with the publication of "Lyrical Ballads" by Wordsworth and Coleridge. Wordsworth's preface to this seminal work served as a manifesto for a new form of poetry, contrasting sharply with the established norms of Classical poetry. He emphasized the simplicity and naturalness of language, stating that his poems were experiments to gauge the poetic potential of everyday speech among the common people. Wordsworth advocated for using the language of common folk in his poetry, believing it to be the most genuine expression of deep emotions. He critiqued the artificiality of urban life, advocating instead for a connection with rural landscapes and simple, rustic existence. This shift aimed to liberate poets from rigid literary conventions and embrace the freedom of natural expression. The Romantic Movement paralleled the political and social upheavals of its time, such as the French Revolution and the American War of Independence. These revolutions symbolized a break from societal and political constraints, echoing the Romantics' quest for artistic freedom and individual expression. The Romantics drew inspiration from the Elizabethan Age, viewing it as a period of artistic freedom and exploration. They sought to revive its spirit, reclaiming lost ideals and narratives from that era. This revivalist approach distinguished the Romantic Age as a rediscovery of past greatness and an aspiration to capture its essence anew. Wordsworth and Coleridge's "Lyrical Ballads" exemplified everyday life and the supernatural, respectively, defining the movement's naturalistic and supernaturalistic aspects. Southey and Scott, though not directly part of the Lake Poets, contributed mythological and historical perspectives, enriching Romantic literature's thematic diversity. The first generation of Romantic poets initially embraced revolutionary ideals but later turned to mysticism and nostalgia amidst political disillusionment. Their works celebrated nature, simplicity, and traditional values, resonating with the feelings and emotions shared by a majority of their countrymen. After Napoleon's defeat at Waterloo in 1815, a new wave of Romantic writers emerged, including Byron, Shelley, Keats, Leigh Hunt, and Hazlitt. They rebelled against the conservative backlash following the French Revolution, which led to social conflict in England. Byron and Shelley, in particular, faced exile due to their defiance of societal norms, reflecting the era's revolutionary spirit. Both generations of Romantics shared a rejection of pseudo-classical models and embraced innovation in poetic form and substance. They challenged the dominance of the couplet, favoring Elizabethan freedom in verse structure, including blank verse, stanzas, and various lyrical measures inspired by popular traditions. Romantic prose writers, like Lamb and De Quincey, departed from the lighter style of the 18th century, opting instead for a more elaborate, poetic prose reminiscent of the Renaissance. They contributed significantly to literary criticism, paving the way for a deeper understanding of the evolving literary forms. The Romantic Age saw the emergence of novels catering to heightened emotions and imaginative sensibilities. Writers like Mrs. Anne Radcliffe gained popularity with exaggerated supernatural romances, while Sir Walter Scott captivated readers with historical fiction. Jane Austen, in contrast, offered enduring depictions of everyday life akin to Wordsworth's poetry. Unlike the Classical age, where prose dominated, the Romantic period celebrated poetry as the ideal medium for expressing emotions and imaginative depth. Poets drew inspiration from diverse sources such as nature, medieval chivalry, Greek mythology, and the supernatural, aiming to evoke wonder and awe through their literary creations. Central to Romanticism was the belief that literature should capture the spontaneity and authenticity found in nature and human emotions. Poets advocated for a return to natural living, away from the artificiality of urban life, emphasizing the profound connection between the human spirit and the natural world. The Romantic poets—Wordsworth, Coleridge, Scott, Byron, Shelley, and Keats—enjoyed widespread popularity, demonstrating poetry's cultural significance during this era. Poetry became so influential that even poets like Southey turned to verse to meet public demand, forsaking potential prose works. Classicism prioritized impersonal aspects of intellectual life, whereas Romanticism celebrated individual sensibility and imagination. Romantic literature, characterized by intense emotion and vivid imagery, reflected the heightened emotional life of its creators, establishing itself as a profoundly creative literary movement. Sentimental books were written throughout Queen Victoria's reign. Elizabeth Browning, Alfred Lord Tennyson, Matthew Arnold (Related: Function of Criticism at the Present Time Mathew Arnold), Robert Browning, Charles Dickens, and the Bront sisters are examples of British authors who wrote during this time period (Hudson, p. 122). The Pre-Raphaelites, including the Rossettis and William Morris, idealized and yearned for the morality of the medieval era (Sanders, p. 145). The intellectual movements of aestheticism and "the Decadence," as seen in the writings of Walter Pater and Oscar Wilde, marked the end of the Victorian era (Klarer, p. 177). In America, early free verse poets such as Walt Whitman and Emily Dickinson, as well as naturalist authors like Stephen Crane, flourished during this time (Introduction to Literary Studies, p. 209). The Victorian era was a time of great cultural and technological change. It saw the Industrial Revolution, which had a profound impact on literature and the arts. The Victorian era was also marked by the rise of the middle class and the decline of the aristocracy, which led to a shift in the themes and subjects of literature. Many Victorian writers, such as Charles Dickens, focused on social issues and the plight of the poor, while others, such as Thomas Hardy, wrote about the changing landscape of rural England. The Victorian era was also a time of great scientific discovery, and many writers, such as H.G. Wells, incorporated elements of science and technology into their works. In addition to the writers mentioned above, the Victorian period saw the emergence of many other notable figures in literature. These include Lewis Carroll, the author of Alice's Adventures in Wonderland; the poets Gerard Manley Hopkins and Alfred, Lord Tennyson; and the novelists George Eliot and the Bronte sisters. The Victorian period was a time of great creativity and innovation, and it laid the foundation for much of the literature that would follow in the 20th century.
W. B. Yeats, Seamus Heaney, Dylan Thomas, W. H. Auden, Virginia Woolf, and Wilfred Owen are examples of British modernist authors (Hudson, p. 224). In America, the modernist era includes Flannery O'Connor, Robert Frost, and Hemingway in addition to the well-known authors of The Lost Generation (also known as the writers of the Jazz Age, 1914–1929) (Sanders, p. 170). The emergence of black authors like Baldwin and Ellison is referred to as "the Harlem Renaissance" (Klarer, p. 123). The disappointment caused by the World Wars has given rise to fresh experiments in literature, with a focus on realism (Introduction to Literary Studies, p. 199).
The modernist movement in literature was characterized by a rejection of traditional forms and the incorporation of new techniques, such as stream of consciousness and interior monologue (Hudson, p. 224). This period also saw the emergence of Dadaism and Surrealism, which sought to challenge the conventions of traditional art and literature (Sanders, p. 170).
In addition to the artistic and literary movements of the modern period, this time period was also marked by significant political and social upheaval. The World Wars and the rise of totalitarian regimes had a profound impact on society, and this is reflected in the literature of the time (Klarer, p. 123). The modern period saw the emergence of anti-war and anti-establishment literature, as writers grappled with the changing world around them (Introduction to Literary Studies, p. 199).
In the postmodern period, many writers and playwrights explored forms such as metafiction and fragmentary poetry. T. S. Eliot, Morrison, Shaw, Beckett, Stoppard, Fowles, Calvino, Ginsberg, and Pynchon are some notable examples of postmodern authors. The increased diversity in literature has also led to the canonization of non-white authors such as Zora Neal Hurston, Sandra Cisneros, and Langston Hughes (Hudson, p. 98). Another trend in postmodern literature is magic realism, which involves weaving realist conventions with surrealistic texts. Salman Rushdie, Alejo Carpentier, Günter Grass, Luis Borges, Gabriel García Márquez, and Luis Borges are some of the prominent magic realist authors (Sanders, p. 101). The postmodern period has also been characterized by a focus on the individual and their subjective experiences, as seen in the works of writers such as Jean-Paul Sartre and Jean-François Lyotard (Klarer, p. 120). This has led to a move away from grand narratives and a skepticism towards universal truths and objectivity. Overall, the postmodern period has been marked by a shift towards experimentation and a challenge to traditional literary forms and structures. (Mario Klarer, Introduction to Literary Studies, p. 121).I. Restoration Period (c. 1660-1700)
The Age of Dryden
Realism and Preciseness
The Tendency towards Preciseness
The Classical Style
Notable Men
II. The Augustan Age (c. 1700-1750)
Notable Women
Notable Men
III. The Age of Johnson (c. 1750-1790)
ROMANTIC PERIOD (c. 1790-1830)
The Beginning and Manifesto
Wordsworth's Language and Nature
Influence of Political and Social Movements
Echoes of the Elizabethan Age
Contributions of Major Poets
Evolution and Legacy
The Second Generation of Romantics
Literary Innovations
Prose and Literary Criticism
The Rise of Romantic Fiction
Poetry as the Dominant Form
Nature and Human Experience
The Popular Appeal of Poetry
Contrasting Classicism and Romanticism
Victorian Period (c. 1832-1901)
Modern Period
H. POSTMODERN PERIOD (c. 1945 onward)
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References:
1. Hudson, William Henry. Introduction to the Study of Literature. Longmans, Green, and Co., 1892.
2. Klarer, Mario. Introduction to Literary Studies. Routledge, 2012.
3. Sanders, Andrew. The Short Oxford History of English Literature. Oxford University Press, 2002.